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design-is-fine:

Es kommt der Neue Ingenieur! Here comes the new engineer. Werner Graeff & Max Burchartz at the Bauhaus. exhibition poster, Meisterhaus Kandinsky/Klee, Dessau, 2010

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handsbuzz:

MoMA / Bauhaus graphic…

bauhausbuzz:

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planetaryfolklore:

design-is-fine: Joost Schmidt, Bauhaus typography, 1931

(via mycockspurtssoftdiamonds)

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anitaleocadia:

Hajo Rose - Self portrait collage with the Bahaus Dessau facade, 1930

(via hesdin)

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etund:

From the Bauhaus school in Dessau, 1928

From the top:

Wassily Kandinsky, Lyonel Feininger, Paul Klee
Hannes Meyer, Hinnerk Scheper, Josef Albers
Joost Schmidt, Gunta Stölzl, Hans Wittwer
Ernst Kallai, Oskar Schlemmer, Mart Stam

(via elladijodestruir)

ontheia:

La Machine, Aeroflorale II, 2010

For last year’s Bauhaus Color Festival in Dessau, Germany, the renowned French art group La Machine installed this towering kinetic sculpture, complete with hanging vegetation, propellers, fins, and balloons. Dubbed the Aeroflorale II, the 18-meter tall skeletal structure is the latest iteration in La Machine’s long list of theatrical projects, which seek to realize da Vinci’s theoretical machines, particularly his whimsical flying apparatuses, using the industrial aesthetic of Eiffel’s 19th-century iron constructions and the fantastical narrative of Jules Verne’s imaginary chronicles.

(via areashape)

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levenkan:

Directors Office, Bauhaus Weimar (1924).
Used by Walter Gropius, Hannes Meyer and Mies Van Der Rohe.

(via coumtransmissions)

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Oskar Schlemmer, Bauhaus ballet costumes

(via coumtransmissions)

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outlwslvemchine:

alofthesun:

workman:

floresenelatico:

Costume for the Triadic Ballet from “The Theater of the Bauhaus”

via Travess

(via softstage)

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varietas:

Hajo Rose (1910-1989): Seemannsbraut III, 1934 / from ‘Bauhaus Photographie’

(via regardintemporel)